The extended verbal dimesion of Quando assim termino o nunca...

Texto Digital

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Title The extended verbal dimesion of Quando assim termino o nunca...
La dimensión verbal extendida de Quando assim termino o nunca...
 
Creator Mata, Rodolfo
 
Subject
Digital Literature; Brazilian Poetry; Intermedia Poetry

Literatura; Cibercultura; Arte Digital
Literatura Digital; Poesía Brasileña; Poesía Intermediática

 
Description This essay is a detailed review of Quando assim termino o nunca... (2008) of Wilton Azevedo, double work that includes a DVD with 18 videopoems (also named as interpoemas by the author) and a CD with 14 sound poems. The relations between several parts of the work are analyzed: booklet, interface/menu and an identified “playlist” (material elements for access); title, indexes, “Introducción”, “créditos”, interpoemas, sound poems and poetic texts (elements of the artistic structure in itself). A special attention is dedicated to the place of natural language, writing and litterary skills with words, as matrixes that generate the work, understanding them in the digital context and in their interactions with sound and video discourses. In this way, the poetic dimension of textual and oral language interweaves with the particulad dynamics of digital media, such as the creative delay identified by Wilton Azevedo, or the opposition between information-noise, pointed by Philippe Bootz in the foreword. Of the 18 interpoemas only a few were chosen to be appraised in depth, due to the complexity of their construction.
En el presente ensayo se realiza una revisión minuciosa de Quando assim termino o nunca... (2008) de Wilton Azevedo, obra doble que consta de un DVD con 18 videopoemas (también llamados interpoemas por el autor) y un CD con 14 poemas sonoros. Se analizan las relaciones que existen entre las diversas partes de la obra: folleto, interfaz/menú y una “playlist” identificada (elementos materiales de acceso); título, índices, “Introducción”, “créditos”, interpoemas, poemas sonoros y textos poéticos (elementos de la estructura artística propiamente dicha). Se presta una especial atención al lugar del lenguaje natural, de la escritura y del quehacer literario con la palabra, como matrices generadoras de la obra, entendiéndolas en el contexto digital y en su interacción con el discurso sonoro y el de la imagen de video. De esta manera, la dimensión poética del lenguaje textual y oral se entrelaza con dinámicas peculiares de los medios digitales, como el delay creativo identificado por Wilton Azevedo, o la oposición información-ruido, señalada por Philippe Bootz en el prólogo. De los 18 interpoemas se seleccionaron sólo algunos para analizarlos a profundidad, dada la complejidad de su construcción.
 
Publisher Center for Research in Computing, Literature, and Linguistics (NuPILL)
 
Contributor

 
Date 2018-12-21
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion


 
Format application/pdf
 
Identifier https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n2p5
10.5007/1807-9288.2018v14n2p5
 
Source Texto Digital; v. 14, n. 2 (2018); 5-36
Texto Digital; v. 14, n. 2 (2018); 5-36
Texto Digital; v. 14, n. 2 (2018); 5-36
1807-9288
 
Language spa
 
Relation https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n2p5/38175
 
Rights Direitos autorais 2018 Rodolfo Mata
http://creativecommons.org/licenses/by/4.0
 

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