The Body as Is: The Copula of the (Cinematic) Body

Signs - International Journal of Semiotics

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Field Value
 
Title The Body as Is: The Copula of the (Cinematic) Body
 
Creator Fuery, Patrick
 
Description This paper examines the body in cinema as a type of copula between the narrative of the film and the act of spectating. The cinematic body is seen as a type of hinge between what is represented (with its narrative force) and the processes of becoming a spectator of a film. Part of the analysis involves a comparison between the semiotic and philosophical ideas of CS Peirce with the works of Freud and Lacan. The paper examines how we might use a combination of these theories to compose a new theory of the cinematic body. Examples are drawn from the films of Malick, and Lynch, and the paper concludes with some of the implications of Bergson and Deleuze for these issues.
 
Publisher University of Copenhagen, Department of Information Science
 
Date 2008-08-05
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
 
Format application/pdf
 
Identifier https://tidsskrift.dk/signs/article/view/26843
 
Source SIGNS; Årg. 2 (2008); 218-240
Signs - International Journal of Semiotics; Vol 2 (2008); 218-240
1902-8822
 
Language eng
 
Relation https://tidsskrift.dk/signs/article/view/26843/23605
 
Rights Copyright (c) 2016 Patrick Fuery
 

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