Preliminary ideas about the notion of control and intencionality in complex performance environments

Texto Digital

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Title Preliminary ideas about the notion of control and intencionality in complex performance environments
Ideias preliminares sobre as noções de controle e intencionalidade em ambientes complexos de performance
 
Creator Costa, Rogério Luiz Moraes
 
Subject
Improvisation; Interaction; Intentionality; Control; Technology

Artes
Improvisação; Interação; Intencionalidade; Controle; Tecnologia

 
Description In this article I address the issue of control and intentionality in purely musical performances or in musical performances involving other artistic languages and new technologies. I begin with preliminary considerations on the subject relating it to the contexts in which performance is based on the interpretation of written works (musical scores) and the contexts in which it occurs through improvisation where the concept of work of art is not so relevant. Then I relate the same themes to the environments of idiomatic improvisation and free improvisation practices. With regard to this aspect, I discuss the issue of collective and individual memories that condition performance environments, relating it to the concepts of basic knowledge and referent. Subsequently, I define the notion of a complex environment of performance as one in which several heterogeneous components (including digital components) interact. I conclude the text by discussing these topics through examples of complex performance environments.
Neste artigo abordo a questão do controle e da intencionalidade em performances puramente musicais ou que envolvam outras linguagens artísticas e novas tecnologias. Parto de considerações preliminares sobre o assunto relacionando-o aos contextos em que a performance se baseia na interpretação de obras escritas e aos contextos em que a mesma ocorre através da improvisação onde o conceito de obra não é tão relevante. Em seguida relaciono os mesmos temas aos ambientes de improvisação idiomática e às práticas de improvisação livre. Com relação a este aspecto, discorro sobre a questão das memórias coletivas e individuais que condicionam os ambientes de performance, relacionando-a aos conceitos de conhecimento de base e referente. Posteriormente, defino a noção de ambiente complexo de performance como sendo aquele em que vários componentes heterogêneos (inclusive componentes digitais) interagem. Finalizo o texto discutindo de forma preliminar, estes temas através de exemplos de ambientes complexos de performance.
 
Publisher Center for Research in Computing, Literature, and Linguistics (NuPILL)
 
Contributor

 
Date 2018-08-01
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion


 
Format application/pdf
 
Identifier https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n1p114
10.5007/1807-9288.2018v14n1p114
 
Source Texto Digital; v. 14, n. 1 (2018); 114-125
Texto Digital; v. 14, n. 1 (2018); 114-125
Texto Digital; v. 14, n. 1 (2018); 114-125
1807-9288
 
Language por
 
Relation https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n1p114/37114
 
Rights Direitos autorais 2018 Rogério Luiz Moraes Costa
http://creativecommons.org/licenses/by/4.0
 

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