Hiya al-Umm, Qaṣīdah Qālahā Zakir Shariff fī Rithā’ Ummihi: Dirāsah Taḥlīlīyah Adabīyah

Al-Makrifah

View Publication Info
 
 
Field Value
 
Title Hiya al-Umm, Qaṣīdah Qālahā Zakir Shariff fī Rithā’ Ummihi: Dirāsah Taḥlīlīyah Adabīyah
 
Creator Yunus, Idris Ahmad
Kabir, Saleh Muhammad
Gaji, Bashir Alhaji
 
Subject Elegy for a mother
Hiya al-Umm
Zakir Shariff
Elegy for a mother
Hiya al-Umm
Zakir Shariff
 
Description This study aims to study the life of Zakir Shariff and his elegy poem. The method used in this study is the descriptive-analytical approach, where the researchers read the selected poem and then follow it with study and analysis. The poem chosen was Hiya al-Umm, an elegy poem for his mother. The results of this study indicate that the beginning of the poem (maṭla‘ al-qaṣīdah) invites the reader to follow his elegy (rithā’) poem for his mother; (2) good disposal (ḥusn al-takhalluṣ) of the poem, the poet proceeded directly with the topic, noting that he did not explore the introduction of his poem with depict the remaining of the camps (al-ṭalalīyah) or propaganda; (3) a good syllable (ḥusn al-maqṭa‘) in the poem, the last words upon which the poet stood was well tolerated and kept a pleasure in listening in the most eloquent expression and the most beautiful meaning; (4) the sincerity of emotion (ṣidq al-‘āṭifah), the poem was distinguished by the sincerity of emotion, the heat of feeling, and the acuity of feeling.
This study aims to study the life of Zakir Shariff and his elegy poem. The method used in this study is the descriptive-analytical approach, where the researchers read the selected poem and then follow it with study and analysis. The poem chosen was Hiya al-Umm, an elegy poem for his mother. The results of this study indicate that the beginning of the poem (maṭla‘ al-qaṣīdah) invites the reader to follow his elegy (rithā’) poem for his mother; (2) good disposal (ḥusn al-takhalluṣ) of the poem, the poet proceeded directly with the topic, noting that he did not explore the introduction of his poem with depict the remaining of the camps (al-ṭalalīyah) or propaganda; (3) a good syllable (ḥusn al-maqṭa‘) in the poem, the last words upon which the poet stood was well tolerated and kept a pleasure in listening in the most eloquent expression and the most beautiful meaning; (4) the sincerity of emotion (ṣidq al-‘āṭifah), the poem was distinguished by the sincerity of emotion, the heat of feeling, and the acuity of feeling.
 
Publisher Universitas Negeri Jakarta
 
Date 2021-04-30
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
 
Format application/pdf
 
Identifier http://journal.unj.ac.id/unj/index.php/jba/article/view/20772
10.21009/almakrifah.18.01.10
 
Source Al-Ma‘rifah: Jurnal Budaya, Bahasa, dan Sastra Arab; Vol 18 No 1 (2021): Al-Ma'rifah: Jurnal Budaya, Bahasa, dan Sastra Arab; 108 - 118
Al-Ma‘rifah: Jurnal Budaya, Bahasa, dan Sastra Arab; Vol 18 No 1 (2021): Al-Ma'rifah: Jurnal Budaya, Bahasa, dan Sastra Arab; 108 - 118
2597-8551
1693-5764
10.21009/almakrifah.18.01
 
Language eng
 
Relation http://journal.unj.ac.id/unj/index.php/jba/article/view/20772/10493
 
Rights Copyright (c) 2021 Idris Ahmad Yunus, Saleh Muhammad Kabir, Bashir Alhaji Gaji
https://creativecommons.org/licenses/by/4.0
 

Contact Us

The PKP Index is an initiative of the Public Knowledge Project.

For PKP Publishing Services please use the PKP|PS contact form.

For support with PKP software we encourage users to consult our wiki for documentation and search our support forums.

For any other correspondence feel free to contact us using the PKP contact form.

Find Us

Twitter

Copyright © 2015-2018 Simon Fraser University Library