DONGENG BARBE BLEUE ‘SI JANGGUT BIRU’ KARYA CHARLES PERRAULT DALAM KAJIAN RESEPSI PEMBACA AKTIF

Aksara

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Title DONGENG BARBE BLEUE ‘SI JANGGUT BIRU’ KARYA CHARLES PERRAULT DALAM KAJIAN RESEPSI PEMBACA AKTIF
 
Creator Intan, Tania
 
Subject resepsi sastra, pembaca aktif, diakronis-intertekstual, Barbe Bleue
 
Description Penelitian ini membahas resepsi pembaca aktif terhadap kisah Barbe Bleue ‘Si Janggut Biru’ karya Charles Perrault, sastrawan dari abad XVII. Pembaca aktif yang dimaksud adalah Amélie Nothomb dan Tahar ben Jelloun, dua pengarang frankofon yang memberi tanggapan terhadap kisah dari abad Pertengahan itu dengan menciptakan teks Barbe Bleue dalam versi masing-masing. Penelitian ini berfokus pada perbandingan elemen-elemen narasi di antara teks-teks tersebut seperti plot, penokohan dan latar. Teori resepsi diakronik-intertekstual dengan metode deskriptif kualitatif digunakan untuk penelitian ini. Dapat disimpulkan bahwa sebagai pembaca aktif dari abad XXI, Amélie Nothomb dan Tahar ben Jelloun meresepsi kisah Barbe Bleue dengan cara menciptakan karya baru namun tidak menghilangkan sekuen-sekuen utama dari cerita aslinya. Perubahan terjadi pada genre, dari dongeng menjadi novel dan cerita pendek, bobot penokohan yang berimbang di antara tokoh laki-laki dan perempuan, serta setting latar waktu-tempat-sosial-budaya. Hal ini tidak dapat dilepaskan dari adanya perubahan zaman, semangat zaman, serta perubahan cakrawala harapan pembaca.This study discusses the reception of active readers of the story of Barbe Bleue by Charles Perrault, a writer from the seventeenth century. The active readers in question are Amélie Nothomb and Tahar ben Jelloun, two frankophone authors who responded to the story of the Middle Ages by creating the Barbe Bleue text in their respective versions. This study focuses on the comparison of narrative elements between the texts such as plot, characterization and setting. Diachronic-intertextual reception theory with qualitative descriptive method was used for this study. It can be concluded that as active readers of the XXI century, Amélie Nothomb and Tahar ben Jelloun perceive the story of Barbe Bleue by creating new works but not eliminating the main sequences of the original story. Changes occur in genres, from fairy tales to novels and short stories, the weight of balanced characterization between male and female characters, and the setting of time-place-social-cultural settings. This cannot be separated from the changing times, the spirit of the times, and changes in the horizon of readers’ expectations.Keywords: reception of literary, actif reader, diachronic-intertextual, Barbe Bleue
 
Publisher Balai Bahasa Bali
 
Contributor
 
Date 2020-07-01
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
 
Format application/pdf
 
Identifier https://aksara.kemdikbud.go.id/jurnal/index.php/aksara/article/view/312
10.29255/aksara.v32i1.312.31-46
 
Source Aksara; Vol 32, No 1 (2020): AKSARA, Edisi Juni 2020; 31-46
2580-0353
0854-3283
 
Language eng
 
Relation https://aksara.kemdikbud.go.id/jurnal/index.php/aksara/article/view/312/pdf
 
Rights Copyright (c) 2020 Aksara
http://creativecommons.org/licenses/by-nc-sa/4.0
 

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