LIRIK TEMBANG SUNDA CIGAWIRAN (Kajian Historis, Struktural, dan Etnopedagogik)

LOKABASA: Jurnal Kajian Bahasa, Sastra dan Budaya Daerah serta Pengajarannya

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Title LIRIK TEMBANG SUNDA CIGAWIRAN (Kajian Historis, Struktural, dan Etnopedagogik)
 
Creator Astriani, Dian
Koswara, Dedi
 
Subject
lirik tembang; historis; stuktural; etnopedagogik; song lyrics; historical; structural; ethnopedagogic
 
Description Tujuan penelitian ini mendeskripsikan perkembangan, struktur, dan nilai étnopédagogik lirik tembang Sunda Cigawiran. Metode yang digunakan dalam penelitian ini adalah metode deskriptif dengan menggunakan teknik observasi, telaah pustaka, dan wawancara. Instrumen yang digunakan berupa pedoman wawancara, pedoman inventaris, dan kartu data. Sumber data dalam penelitian ini adalah 14 lirik tembang yang diperoleh dari wawancara dan studi pustaka. Dari hasil penelitian ditemukan bahwa tembang Sunda Cigawiran mengalami perkembangan dan struktur puisi yang tentu. Perkembangan tembang Sunda Cigawiran berubah dari waktu ke waktu seiring dengan perkembangan zaman. Struktur lirik tembang Sunda Cigawiran mempunyai struktur fisik (imaji, simbol, musikalitas, dan gaya bahasa) serta struktur batin (tema, rasa, nada, dan amanat). Lirik tembang Sunda Cigawiran secara umum ditulis dalam bentuk pupuh, tapi tidak sepenuhnya memenuhi aturan pupuh yang digunakannya. Téma dari teks tembang Sunda Cigawiran pada umumnya berkaitan erat dengan keagamaan. Imaji yang paling banyak ditemukan dalam teks ini adalah imaji visual (penglihatan). Musikalitas/wirahma tembang Sunda Cigawiran mencakup pada bentuk pupuh, yang mempunyai guru gatra, guru wilangan, dan guru lagu. Gaya bahasa umumnya merupakan bahasa yang umum, hiperbol, dan konotatif. Rasa yang paling banyak ditemukan menunjukkan rasa takut. Sedangkan amanat secara umum adalah memebrikan peringatan kepada manusia agar selamanya memohon perlindungan kepada Alloh swt. Dalam lirik tembang Sunda Cigawiran terkandung nilai etnopedagogik, yaitu Prilaku Nyunda Trisilas (silih asih, silih asah, silih asuh), Catur Jatidiri Insan (pengkuh agamana, jembar budayana, luhung élmuna, rancagé gawéna), Gapura Panca Waluya (cageur, bageur, bener, pinter, singer), dan Moral Kemanusiaan (moral manusia kepada Tuhan, moral manusia kepada diri pribadi, moral manusia kepada manusia, moral manusia kepada alam, moral manusia kepada waktu, dan moral manusia dalam mencapai kepuasan lahir dan batin). ABSTRACTThe purpose of this study describes the development, structures, and etnopedagogic values of Cigawiran Sundanese song lyrics. The method used in this research is descriptive method, while the data is taken by observation technique, literature review, and interview. The instruments used are interview guides, inventory guides, and data cards. The data sources in this study are 14 songs lyrics obtained from the interviews and literature study. From the research results found that Cigawiran Sundanese song has developed and formed its structures of poetry. The development of Cigawiran Sundanese song changed from time to time along with the period. Cigawiran Sundanese song structure has the physical structures (images, symbols, musicalities, and language styles) and the inner structures (themes, tastes, tones, and messages). Cigawiran Sundanese song lyrics in generally are written in stanzas, but does not fully comply with the rules of the stanzas it used. The theme of the Cigawiran Sundanese song texts are generally closely related to religion. The most common images found in this text is the visual image (sight). Musicality of Cigawiran Sundanese song includes the stanza form, which has guru gatra, guru wilangan, and guru lagu. Language styles are generally a common language, hyperbole, and connotative. The most common sense shows fear. While the message in generally gives warning that people must always ask protection to Alloh SWT. In the Cigawiran Sundanese song lyrics contained etnopedagogic values. That are Prilaku Nyunda Trisilas (silih asih, silih asah, silih asuh), Catur Jatidiri Insan (pengkuh agamana, jembar budayana, luhung élmuna, rancagé gawéna), Gapura Panca Waluya (cageur, bageur, bener, pinter, singer), and humanity moral (the moral of human to God, the moral of human to themself, the moral of human to other human being, the moral of human to nature, the moral of human to the time, and the moral of human in achieving physical and mental satisfaction).
 
Publisher UPI
 
Contributor
 
Date 2019-03-15
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion

 
Format application/pdf
 
Identifier http://ejournal.upi.edu/index.php/lokabasa/article/view/15964
10.17509/jlb.v8i1.15964
 
Source LOKABASA; Vol 8, No 1 (2017): Vol. 8, No. 1, April 2017; 12-21
LOKABASA; Vol 8, No 1 (2017): Vol. 8, No. 1, April 2017; 12-21
2528-5904
2338-6193
10.17509/jlb.v8i1
 
Language eng
 
Relation http://ejournal.upi.edu/index.php/lokabasa/article/view/15964/8921
 
Rights Copyright (c) 2019 LOKABASA
 

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