IASPM@Journal
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IASPM@Journal is the peer-reviewed open-access e-journal of the International Association for the Study of Popular Music, IASPM . Our members are invited to register and publish. When registering as author and reviewer in the journal, please complete your profile by identifying up to six specialist key areas as well as main working languages for review purposes. As part of an international network, the journal aims to publish research and analysis in the field of popular music studies at both global and local levels. Therefore, the Advisory Board includes representatives of each of the IASPM branches and, although English is the main idiom to ensure global reach, articles may be submitted in any of the official languages of its current branches. Bilingual versions will only be prompted at the end of the reviewing process, when it is certain that a paper is accepted. Nominations for the Advisory Board should be sent to the Editor, Dr Hillegonda Rietveld, H[dot]Rietveld[at]lsbu[dot]ac[dot]uk The journal offers the following sections, Articles (based on open submissions); Special Issue; Reviews of Books, DVDs or Scholarly Websites (both open and invited); PhD Thesis Abstracts; IASPM Branch Reports and occasionally invited commentaries.
- Decolonizing the Boundaries: Indigenous Musical Discourse in the History of Kurdish...
- REVIEW I Demoler: El Rock en el Perú 1965-1975
- O Canto Livre de Nara Leão: Engajamento Artístico, Sonoridade e Gesto Vocal
- REVIEW | Flow: The Rhythmic Voice in Rap Music
- Indigenizing the Mainstream: Music Festivals and Indigenous Popular Music
- Special Issue: Popular Music, Decolonization, and Indigenous Studies
- REVIEW I Eastern European Popular Music in a Transnational Context
- Los Jaivas: Toward a Decolonial Attitude in Chilean Psychedelic Rock
- Resistance in Maxida Märak’s album Utopi
- REVIEW I Hungry Listening: Resonant Theory for Indigenous Sound Studies
- Tanya Tagaq Covers Nirvana: “Rape Me” and a History of Settler Colonial Violence
- REVIEW I Understanding Records. A Field Guide to Recording Practice.
- O Canto Livre de Nara Leão: Engajamento Artístico, Sonoridade e Gesto Vocal
- Los Jaivas: Toward a Decolonial Attitude in Chilean Psychedelic Rock
- REVIEW I Eastern European Popular Music in a Transnational Context
- REVIEW I Understanding Records. A Field Guide to Recording Practice.
- Tanya Tagaq Covers Nirvana: “Rape Me” and a History of Settler Colonial Violence
- Decolonizing the Boundaries: Indigenous Musical Discourse in the History of Kurdish...
- Resistance in Maxida Märak’s album Utopi
- REVIEW | Flow: The Rhythmic Voice in Rap Music
- Indigenizing the Mainstream: Music Festivals and Indigenous Popular Music
- REVIEW I Hungry Listening: Resonant Theory for Indigenous Sound Studies
- REVIEW I Demoler: El Rock en el Perú 1965-1975
- Special Issue: Popular Music, Decolonization, and Indigenous Studies
- REVIEW I Popular Music in the Post Digital Age