Escopofilia. La crisis del ocularcentrismo en el cine

Matèria. Revista internacional d'Art

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Title Escopofilia. La crisis del ocularcentrismo en el cine
Scopophilia. The crisis of ocularcentrism in the cinema
Escopofilia. La crisis del ocularcentrismo en el cine
 
Creator Uharte Huertas, Miren
 
Subject cine, régimen escópico, ocularcentrismo, voyeurismo.
cinema, scopic regime, ocularcentrism, scopophilia, voyeurism.
cine, régimen escópico, ocularcentrismo, voyeurismo
 
Description Desde el corte de la córnea en Un chien andalou —un atentado explícito contra el considerado sentido más noble—, el cine ha venido expresando de manera puntual pero persistente cierta inquietud ante el sentido de la vista, ya sea en forma de decepción ante un sentido imperfecto e incapaz de darnos acceso al conocimiento, de angustia ante una mirada dominadora, panóptica o incluso asesina, o de una nostalgia por una mirada inocente ya perdida. El presente trabajo pretende preguntarse si es posible rastrear en el ámbito cinematográfico la sombra de aquel malestar acerca del sentido de la vista al que se refiere Martin Jay en Ojos abatidos, y si existe una desazón en el cine hacia el régimen escópico dominante que transcurre paralelo a la literatura y el pensamiento, o incluso una misma tendencia hacia la denigración de la visión.
From the crack of the cornea in Un chien andalou - an explicit attempt against the so considered noblest sense - the cinema has been expressing in a punctual but persistent way a certain anxiety about the gaze, either in the form of a disappointment in front of an imperfect sense, unable to give us access to knowledge; an anguish before an authoritarian, panoptic or even murderous eye, or a nostalgia for an innocent gaze long lost. This paper aims to wonder if it would be possible to trace the shadow of the unease about the sense of sight, developed by Martin Jay in Downcast Eyes, in the cinematographic field; if there is a dismay in the cinema towards the dominant scopic regime, running parallel to literature and thought, or even a tendency towards the denigration of vision.
Desde el corte de la córnea en Un chien andalou —un atentado explícito contra el considerado sentido más noble—, el cine ha venido expresando de manera puntual pero persistente cierta inquietud ante el sentido de la vista, ya sea en forma de decepción ante un sentido imperfecto e incapaz de darnos acceso al conocimiento, de angustia ante una mirada dominadora, panóptica o incluso asesina, o de una nostalgia por una mirada inocente ya perdida. El presente trabajo pretende preguntarse si es posible rastrear en el ámbito cinematográfico la sombra de aquel malestar acerca del sentido de la vista al que se refiere Martin Jay en Ojos abatidos, y si existe una desazón en el cine hacia el régimen escópico dominante que transcurre paralelo a la literatura y el pensamiento, o incluso una misma tendencia hacia la denigración de la visión.
 
Publisher Universitat de Barcelona
 
Contributor


 
Date 2018-12-20
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion



 
Format application/pdf
 
Identifier http://revistes.ub.edu/index.php/materia/article/view/20179
10.1344/Materia2018.13.7
 
Source Matèria. Revista internacional d'Art; No 13 (2018); 87-101
Matèria. Revista internacional d'Art; No 13 (2018); 87-101
2385-3387
1579-2641
 
Language spa
 
Relation http://revistes.ub.edu/index.php/materia/article/view/20179/28287
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Rights Copyright (c) 2018 Miren Uharte Huertas
https://creativecommons.org/licenses/by-nc-nd/4.0/deed.ca
 

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