Realitas Sosial Masyarakat Palestina dalam Film Inch'Allah: Semiotika Charles Sanders Peirce

Al-Makrifah

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Field Value
 
Title Realitas Sosial Masyarakat Palestina dalam Film Inch'Allah: Semiotika Charles Sanders Peirce
Realitas Sosial Masyarakat Palestina dalam Film Inch'Allah: Semiotika Charles Sanders Peirce
 
Creator Muwaffa, Royyi
 
Subject Social reality
humanistic values
Palestinian
Inch’Allah
Social reality
humanistic values
Palestinian
Inch’Allah
 
Description The film Inch’Allah depicts the life of the Palestinian people due to the war with Israel. The scenes in this film are filled with codes that aim to attract sympathy and empathy from other countries. The problem in this research is the use of signs used by Anaïs Barbeau-Lavalette in describing the life of the Palestinian people and the actions of the Israeli soldiers depicted through these signs. This study aims to uncover the forms of signs and their relationship to objects contained in these signs. The method used is a qualitative method with an objective approach. The theory used is the semiotic theory of Charles Sanders Peirce. In this study, the researcher found ten scenes describing Israeli soldiers' attitudes and actions between the two countries. The social representation depicted in the film is the poverty faced by the Palestinian people. All of their possessions had been lost along with the pieces of their house. There is no longer any freedom for the Palestinian people to do anything.
The film Inch’Allah depicts the life of the Palestinian people due to the war with Israel. The scenes in this film are filled with codes that aim to attract sympathy and empathy from other countries. The problem in this research is the use of signs used by Anaïs Barbeau-Lavalette in describing the life of the Palestinian people and the actions of the Israeli soldiers depicted through these signs. This study aims to uncover the forms of signs and their relationship to objects contained in these signs. The method used is a qualitative method with an objective approach. The theory used is the semiotic theory of Charles Sanders Peirce. In this study, the researcher found ten scenes describing Israeli soldiers' attitudes and actions between the two countries. The social representation depicted in the film is the poverty faced by the Palestinian people. All of their possessions had been lost along with the pieces of their house. There is no longer any freedom for the Palestinian people to do anything.
 
Publisher Universitas Negeri Jakarta
 
Date 2021-10-31
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
 
Format application/pdf
 
Identifier http://journal.unj.ac.id/unj/index.php/jba/article/view/21868
10.21009/almakrifah.18.02.05
 
Source Al-Ma‘rifah: Jurnal Budaya, Bahasa, dan Sastra Arab; Vol 18 No 2 (2021): Al-Ma'rifah: Jurnal Budaya, Bahasa, dan Sastra Arab; 163 - 174
Al-Ma‘rifah: Jurnal Budaya, Bahasa, dan Sastra Arab; Vol 18 No 2 (2021): Al-Ma'rifah: Jurnal Budaya, Bahasa, dan Sastra Arab; 163 - 174
2597-8551
1693-5764
 
Language eng
 
Relation http://journal.unj.ac.id/unj/index.php/jba/article/view/21868/11547
 
Rights Copyright (c) 2021 Royyi Muwaffa
https://creativecommons.org/licenses/by/4.0
 

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