“From Dalarna to The Orient”: Falun Folk Music Festival

IASPM@Journal

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Field Value
 
Title “From Dalarna to The Orient”: Falun Folk Music Festival
 
Creator Fredriksson, Daniel
 
Subject ethnomusicology, ethnology, folk music
Falun, folk music, festival, world music, cosmopolitanism,
 
Description This article discusses the Swedish festival Falun Folk Music Festival (FFF) and makes use of interviews with key organisers, readings of festival brochures, and other material. I begin with a look at the intentions, motivations and negotiations of the organisers leading up to the first festival in 1986, and from there I discuss the way FFF contributed to a change in Swedish folk music discourse towards logics of professionalisation and cosmopolitanism. FFF negotiated between professionals and amateurs, traditionalists and experimentalists. This paved the way for a vast palette of musical traditions, soon to be called “world music”, to reach a Swedish audience. I argue that the cosmopolitanism of FFF, rather than being the main ideological goal of the organisers, worked as a means to an end, namely the professionalisation and artistic recognition of Swedish folk traditions. It also seems to have made the festival relevant in the cultural policy climate of the time.
 
Publisher IASPM - International Association for the Study of Popular Music
 
Contributor Umeå University
Dalarna University
The Royal Academy of Music
 
Date 2019-10-12
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article

 
Format application/pdf
 
Identifier http://iaspmjournal.net/index.php/IASPM_Journal/article/view/929
 
Source IASPM Journal; Vol 9, No 1 (2019): Pop music festivals and (cultural) policies; 6 - 22
2079-3871
 
Language eng
 
Relation http://iaspmjournal.net/index.php/IASPM_Journal/article/view/929/pdf_1
 
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Rights Copyright (c) 2019 IASPM@Journal
 

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