Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit

Catedral Tomada. Revista de crítica literaria latinoamericana

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Title Screams in the Skin, Sounds of Pain. About Zona de Dolor 1 by Diamela Eltit
Gritos en la piel, sonidos del dolor. A propósito de Zona de Dolor 1 de Diamela Eltit
 
Creator Grumann, Andrés
 
Subject literay criticism; Cultural studies; latinamerican studies

crítica literaria; estudios culturales; estudios latinoamericanos
Diamela Eltit; Zonas de dolor; teatrología
 
Description Addressing a theoretical perspective from the Theatre Studies, the writing aims to perform an analysis of the performance Zona de dolor 1 or "Maipú" by Diamela Eltit from 1980. To do this,I stop at the skin, the body, the voice and the pain as surfaces of a sensitive experience generating knowledge that are perceived from the viewing of the available video of theperformance. This performance analysis requires a historiographic rescue in which the partiality with which the concept of "escena de anvanza" (Richard) interpreted the performances Zonas de dolor (1980 and 1982) is discussed, situating a reading of the filiations and crossings of Eltit with Ronald Kay and the seminar that he dedicated to the wisdom ofAntonin Artaud in 1974. The thought about the body, the flesh and the pain of the French teatrist accompanies the following reflections and allows to present the power of the performative in the voice of Diamela Eltit in some in some scenes from the video of Zona de dolor 1.
Abordando una perspectiva teórica proveniente de la disciplina teatrológica, el escrito tiene por objetivo realizar un análisis de la performance Zona de dolor 1 o “Maipú” de Diamela Eltit de 1980. Para ello me detengo en la piel, el cuerpo, la voz y el dolor como superficies de una experiencia sensible generadora de conocimiento que se perciben del visionado del video disponible de la performance. El análisis de la performance requiere de un rescate historiográfico en el que se discuta la parcialidad con que el concepto de “escena de avanzada” (Richard) interpretó Zonas de dolor (1980 y 1982), situando una lectura de las filiaciones y entrecruzamientos de Eltit con Ronald Kay y el seminario que le dedicó a la sabiduría de Antonin Artaud el año 1974. El pensamiento en torno al cuerpo, la carne y el dolor del teatrista francés acompaña las siguientes reflexiones y permiten presentar el poder de lo performativo en la voz de Diamela Eltit en algunas escenas del video de Zonas de dolor 1.
 
Publisher University Library System, University of Pittsburgh
 
Contributor flesh, the performative, body, quality of the voice, Theatre Studies, Zona de dolor

 
Date 2019-07-26
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion


 
Format application/pdf
 
Identifier http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/386
10.5195/ct/2019.386
 
Source Catedral Tomada. Revista de crítica literaria latinoamericana; Vol 7, No 12 (2019): Dossier. Diamela Eltit: Communitary Dialogues; 44-70
Catedral Tomada. Revista de Crítica Literaria Latinoamericana; Vol 7, No 12 (2019): Dossier. Diamela Eltit: Communitary Dialogues; 44-70
2169-0847
 
Language spa
 
Relation http://catedraltomada.pitt.edu/ojs/index.php/catedraltomada/article/view/386/366
 
Rights Copyright (c) 2019 Andres Grumann
http://creativecommons.org/licenses/by/4.0
 

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